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LATEST WEBZINE SERIES//سلسلة الويبزين الأخيرة

معجوقة: نشرة طرابلس الفنية Maajouka: Tripoli Art Zine

الشذرات في الكتابة Fragments with Composing

حذف وإضافة

FROM THE ARCHIVE//من الأرشيف

لا

لا تسألوني ما اسمهُ حبيبي

هكذا تساهم ازدواجية الترجمة في اكتمال رؤية محمد شوقي حسن حول ازدواجية الهويات الجنسية وتعقيداتها، بعيداً عن أي رؤية ثنائية تقرأ العلاقات المثلية نقيضاً للعلاقات الغيرية.

FLOWERS

FLOWERS DON’T BURN

“Woods” by Yusra Scott Umm Muhammad’s black abaya speaks of night. Her glittering cigarette lighters kindle the threads embroidered across...

Apples

Apples falling from trees

A cat sat on his bed like a small disheveled black Sphinx. As Ziad drew near it, it turned to...

شعور

شعور مقدّس

تلك الغصّة. التي، وإن صمدت في مكانها تُحيلك تمثالاً بين مكانين بين زمنين لن تشعرَ، إذّاكَ، بأيّ شيءٍ

ISSUE  12العدد

صوَر من ألبوم وجع العائلة

صوَر من ألبوم وجع العائلة

The Ghost in the Machine, or Movements of a Symphony for Various Body Parts

The Ghost in the Machine, or Movements of a Symphony for Various Body Parts

Absent Friend

Absent Friend

فتى مصنع البونبون

فتى مصنع البونبون

No Blood Included

No Blood Included

On Suffering and the Impotence of Complaint: Al-Ma’arri’s “Epistle of the Neigher and the Brayer”

On Suffering and the Impotence of Complaint: Al-Ma’arri’s “Epistle of the Neigher and the Brayer”

آليات المواجهة – التأقلم

آليات المواجهة – التأقلم

Renoz | رينوز
Everything Will be Taken Away | Untitled

Everything Will be Taken Away | Untitled

Nour Debian

WHAT’S NEW//جديدنا

WRITING PROMPT//فكرة اليوم

In an interview with Etel Adnan in 2017 for the Los Angeles Review of Books, she says, “Addiction to the sea, addiction to Nietzsche: we come back to them for the same reasons, I am sure. They are ‘infinite,’ not a narration to be understood once and for all, but a recurring source of amazement. The sea was for me, in Beirut, when I was maybe not yet four, the greatest ‘happening,’ the moment I plunged in one of those tiny holes, puddles, spaces among rocks that the short tide of the Mediterranean was regularly filling, on the shore of the city, half a mile from home (by the way, all this disappeared long long ago).”

 

It is spring. The days are longer, the water warmer. Narrate your sea to someone who has never seen it. If you get stuck, ask the sea five questions — they can be personal, mythical, or historical:

Who is allowed to cross the sea? What pollutes a coast? What is your favorite memory of the sea? Who did you last swim with, and where are they now? Is the sea alive? What stays awake in its deep dark zones, and what doesn’t?

 

Answer without order or judgment. Then shuffle your answers – let the tide do its rearrangement. Maybe a poem emerges, or a parable, the beginnings of a short story.  

By Nur Turkmani via Etel Adnan

THEMED ISSUES//الأعداد الثيمية

ABOUTS US//نبذة عنا

منذ 2012، نشرت فَمْ: مجلة بيروت الأدبية والفنية أعمالاً باللغتين العربية والانجليزية لكتاب وفنانين ناشئين وآخرين متمرّسين في طبعاتها الثيمية السنوية بالإضافة إلى ملفات على موقعها، وذلك بسبيل استكشاف مواهب جديدة والإضاءة على الأدب والفن المعاصرَين في المنطقة العربية والشتات.

Rusted Radishes: Beirut Literary and Art Journal (RR) | فم: مجلة بيروت الأدبية والفنية is a bilingual journal based in Beirut. Since 2012, RR has published previously unpublished works by emerging and established writers and artists in its annual themed issue and webzine to both nurture new talent and highlight contemporary literature and art from the Arab & SWANA region and diaspora.