ISSUES
حذف وإضافة
Transgenerations | الكتابة عبر الأجيال
Shame | العار والحياء
جائزة مدن للقصة القصيرة | Mudun Short Story Prize
Question Your Teaspoons
Letters & Liminality
Ethnographic Diaries | مدونات إثنوغرافية
Youthful Cities Programme
Writers in Response
Barjeel Poetry Prize 2020
Thawrat Series
Web Features
العدد 11: العمل اغتراباً والركود تخريباً | Issue 11: Labor & Idleness
العدد 10: المال والذات السائلة | Issue 10: Money
العدد 9: الداء والدواء | Issue 9: Health and Illness
العدد 8: تغيير كالبحر | Issue 8: Sea Change
Issue 7: Crossing Borders
Issue 6: Underground
Issue 5: The Political City
Issue 4: Trans-
ISSUES AND SERIES
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Submissions
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Photo Essay
Drama
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Submissions
Book Review
The Future Palestinian Present
Salt Water Review
YOU’RE NOT PROPER BY TARIQ MEHMOOD ALI
Signs Preceding the End of the World
Motherland: On Bassem Breche’s Riverbed
Damnation: On Ali Cherri’s The Dam
The Intimacy of Rocks and the Memories of Displacement in Algeria
AUGUST 4: BEYOND IMAGES OF SHATTERED GLASS
REMEMBERING FORGOTTEN IMAGES: PART I
كيارستمي، أربع سنوات من الغياب: أفضّل بقائي على بقاء أعمالي
RECREATING A PLUNDERED ARCHIVE: DIGITIZING THE FILMS OF THE PALESTINIAN CINEMA INSTITUTION
Yara
The Hour of Liberation Has Arrived
Ayam Beirut Al Cinema’iya