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Tessellate | Synesthesia | In Dreams I am Always a Horse

Three Children Balancing on a Total Barrel | By Abdul Rahman Katanani

Tessellate

 

My father tells a story about the boy who drowned.

 

Mud-licked dam: testament to time

 

unfulfilled. My father tells a story about the moon

 

unfulfilled. Going away and not coming back

 

the same way twice. He has nothing to say about

 

starving. Nothing about the dirt he drank, the bombs he

 

heard. He is a collection of stories

 

he’ll never tell. In the moonlight, he looks like a vanishing horse.

 

In the daylight: a dog.

 

He has nothing to say about the question he wants to ask.

 

The same one I’ll ask of the future.

 

About being the one to live

 

--<>--<>--<>--<>--<>--<>--

Synesthesia 

Instead of Saying

I pretend I am full

perched on that ledge,

ledge to unbind  

lifting a girl 

who can’t bear to be lifted

who thought the long gulf passable  

muttering and changing  

turning the body of another into the body of  

mismatched parts  

We’re a part of each other after all 

 

 

I am part him but don’t speak him

I dwell half-human & half-human

an opening: dare it. Dare

unspill & uncross a desert filled with horses

who never made it home

who never made it to her father’s home

never ran into another’s dream, seeking refuge—

gold rabbit, frog mind, tiny paper boat—  

things her father said when dreaming of

wholeness as pretending we’re a part of each other.  

A decision means more than a prayer.

 

--<>--<>--<>--<>--<>--<>--

In Dreams I am Always a Horse 

For miles everywhere: flatlands,
trembling with wind’s work—
careless and indiscriminate. The fuel gauge is needling
closer and closer
and I’m taking a chance with my life,


imagining the horizon line
is the bone of your shoulder reeling my reach
like a fish. I wonder if this is how god

 

works. In empty gas tanks and tentative brake lights.
In roadway pleas to make it just a little further
down the causeway: a sensation
like reach without touch

 

touch without body body
with too many ways of loving another.
I can’t say how or why but the road
keeps happening, slackening each want
that tries to rise within me. It says something true:

 

you can’t ask for anything but life. Leave
the rest up to time. See how it changes the horizon
from a shoulder to a jaw. See how, eventually,
it
does touch you back

 

one way or another. This, also,
must be the work of dreams. Some pressure
to return to the real always
lingering— even in the dark. Even in the dark,

 

I question the light. If time will run out like this road,
unaware of the tide’s wild wager on the rock:
let us make ourselves heard into living.
Let the water do its work on us,
washing away the lost causes.
This will all still be left,
whether or not I make it home.
A kind of comfort:

 

beauty is inevitable. Life is the thing between
pauses. There are those that have come before
me and if I look hard enough at the mountain
I can believe:

 

Some part of me will go on.
Even after this dark road runs out

Contributor
A. D. Lauren-Abunassar

A.D. Lauren-Abunassar is an Arab-American writer, poet, and journalist. Her work has appeared or is forthcoming inPoetry,Narrative,Rattle,Boulevard, and elsewhere. Her first book,Coriolis, was winner of the 2023 Etel Adnan Poetry Prize.

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<span style="font-weight: 400;">A.D. Lauren-Abunassar is an Arab-American writer, poet, and journalist. Her work has appeared or is forthcoming in </span><i><span style="font-weight: 400;">Poetry</span></i><span style="font-weight: 400;">, </span><i><span style="font-weight: 400;">Narrative</span></i><span style="font-weight: 400;">, </span><i><span style="font-weight: 400;">Rattle</span></i><span style="font-weight: 400;">, </span><i><span style="font-weight: 400;">Boulevard</span></i><span style="font-weight: 400;">, and elsewhere. Her first book, </span><i><span style="font-weight: 400;">Coriolis</span></i><span style="font-weight: 400;">, was winner of the 2023 Etel Adnan Poetry Prize.</span>

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