Lonely Enterprise: Sara Saab on Writing, Competitive Eating, and Cavities of The Soul
A self-driving train with a clumpy Slavic name; a wispy hotel in the Algerian desert; Beirut of the near-future, waltzing between dry and wet spells — these are only some of the distinctive locations of Sara Saab’s stories. If she were a painter, she would be a consummate landscapist. As a writer, though, she is a self-proclaimed pragmatist, exploring the sensory qualities of the worlds she puts to page. And while her characters burn and beam for attention, you get the feeling that they know that they are being up-staged by the backdrop, that their destinies emerge from their settings.