
[1] immersed
in the cylinder’s magnetic sea
your body’s protons spin
out of equilibrium
in their watery cell-beds –
send out their echoes,
answering the pulse
of radio waves:
some short staccato
some boom andante maestoso,
mallets on a drumhead –
and others still are the long slow
pulls on a double bass in adagio:
time signatures thrumming
through the soft wax
in your ears while an eye mask
shields you from the walls –
white-curved around
the machine’s bowels,
where wire coils vibrate
in an electric dance
[2] today it is the brain
two weeks ago, your cervical spine,
left shoulder and a twist to lay your wrist
palm-side down –
the machine searching for the source
of oscillations between blunt ache
and needle-prick –
intrusions along the neural pathways
that feed your working hand,
searching for the source of swaying rooms –
it’s not the crystals of the aural labyrinth,
so is this vertigo your old friend –
or something else sheltered
in the brain’s topographies –
[3] almost thirty years ago
you lie there and think, these same currents
were sent pulsing through your head –
and if you remember right, the hospital was east –
1st Avenue, cold tripped towards you
from the tidal estuary
your first time in the magnetic drum
because the city as you knew it then
was always turning, the ground like moving sand –
the doctor said to use a cane
you were 24 with an illness that hid from reason
you named it Ghost –
[4] pricked and prodded
imaged, scanned
tests for ears and brain, blood and heart
they said, No treatment –
you’ll just have to live with it
you chant and pray
join floor-circles and sit on pews
wait for a red-robed lama in a coffee shop
on Broadway and Canal
your Ghost is mercurial:
fills your body with lead, then fire
plays tricks
a gap in the floorboard swallows you
how we still suffer from that French philosopher:
cleaved in two –
and your soul floats somewhere, unmoored
evicted, searching for the door –
some way inside
[5] Descartes’ myth
an English thinker disagreed:
Ryle said the mind is not a ghost
in a corporeal machine –
the two cannot be split
and your intruder?
perhaps you came to understand
that Ghost and soul
were really one –
unruly, angry at being unhoused
it took years to find the door,
hidden as it was –
but soul moved in,
found forgotten rooms
and here you lie now, submerged
in the sonic rhythms of the machine –
no ghost here
but a home of flesh and blood
and bone, set alight
Laura Johanna Braverman is a writer and artist. She is the author of Salt Water (Cosmographia, 2019), and her poems have appeared in Reliquiae, Verse of April, North of Oxford, Plume, Levure Litteraire, California Quarterly and New Plains Review, among other journals and in the anthology Awake in the World, Volume II. Her painting works are currently on exhibit at Mina Image Centre, Beirut. She is a doctoral candidate in poetry at Lancaster University, and lives in Beirut with her family.


