Critical Essays | مقالات نقدية

Film still courtesy of the filmmaker Omar Mismar’s film A Frown Gone Mad (1’11, 2024) will make you uncomfortable as…

Ali Hussein AlAdawy reads Ghassan Salhab's Contretemps, exploring it as a concept of durée through a merging of personal and…

Salma: It's unlike you to drop by. Thurayya: I'm not dropping by, I got divorced. I'm done with men.  Salma…

Still from "In Mansoura You Left Us" A film review of In Mansourah, You Separated Us An old man is…