by Samira Negrouche, translated from the Arabic by Marilyn Hacker
Man part animal part flower part metal part human
The Approximate Man, Tristan Tzara
*
Above our heads a vertical shadow
vibrates
a shadow that flaps above our heads
a clandestine whistling
on the arid plain above our overloaded
heads
and while there’s that whistling that whistling
unanticipated
as our buzzing skulls
a cement roof accommodates our moods
on the makeshift platform
the constellation set adrift
in the fog of the senses
you have not abandoned the dusty wreckage
vertical shadows race at the dunes’ edge
your eyes bandaged behind concave ice
anti-UV protection not guaranteed
a piano’s black keys
at the dunes’ edge
a scale that makes no sound
you have not abandoned the dusty wreckage
a vertical shadow
planted on the arid plain
that you water with promises
the metallic organ that vibrates
at the edge of a lung
on the cement platform
where the musics clash
protection not guaranteed
for a makeshift totem
*
in the rock garden
a mute man dances
we don’t know what funeral oration
they say a deaf man
sows steps of abundance
and solar circles
he was not born to hear
the world exploding
is there a place washed up
on a forgotten ridge
where the news wouldn’t arrive
where the news wouldn’t be implied
where the news wouldn’t be felt
is there a breech in time
that isn’t waiting
to fix our gaze
on suffocated screens
are there eyes in this world
ears in this world
that were born
to welcome
into their souls
obscenity
obscenity
obscenity
obscenity
obscenity
and turn away
and not turn away?
*
what I like about Jesus
are his faded feet
and those of his companions
— thirteen haloes —
on the abandoned icons
of the small Bulgarian Mount Athos
I’m not talking about the fig tree
— the fig tree Jesus illuminates—
nor of the cascade of rocks
— more like the Grand Canyon than Galilee—
Jesus’ delicately faded feet
made me think of the rock paintings
of Tassili
there is no foot as finely
traced on Hoggar’s boulders
they are long slender figures
suspended
exactly like the Christ
suspended fixed and dynamic at once
it’s a lightning bolt
an allusion stripped of logic
or so it seems
you find what you find
above all when it’s different from what you see
what I like about the astrophysicist
are his premonitions
when he says perhaps
when he says that statistics
have altered physics
fixed it in place
emptied
disembodied
when he says that matter
isn’t matter
that time and space
are heresy
that we humans
take ourselves too seriously
thinking ourselves fragile
inventing ourselves powerful
that we invent landmarks
that we forget having invented them
that we must relinquish control
when he says perhaps
give your doubt back its soul
*
It seems like
a cartoon
tchouri comet under surveillance
for the good of humanity welcome life
matter organic welcome
non-hallucinogenic mushrooms
preferably
Japanese
that seems more serious
as far as cartoons are concerned
and micro-tchouri
everything is in fact
a game of marbles
marbles of varied size
on a cloth of varied textures
on an infra-silent language
no protection guaranteed
from bubbles
and scattered micro-lakes
around which chairs are overturned
that can be read as cuneiforms
depending on the branches
network of aquatic bubbles
a solid form
gaseous
visible
under
my bowl of water seemingly
isolated
the cradle
of a wireless
network
*
It seems unlikely to me
that a key-word
would open anything whatever
worth the bother
words don’t open anything
actually
function paralyses words
I acknowledge the statistic
paralyses
all the software
by saturation
*
a cuneiform language lies
in the branches
of a sacred wood
it holds no secret
that can be translated to sound
it is not the virtual transposition
of any narcissism
barely a dream
a geographical arrangement
of what we call life
there are trees in my head
around my bathtub
because the universe is much too large
far from my puddle of water