
after Hala Alyan
I’ve lost track of the seasons, which fall
came before which winter? watch,
here are the riches of my kingdom: a kitchen sink
that leaks like a wound, and my mother’s watch.
tomorrow, the sun again. its heat, a curse.
in my delirium, the leak becomes flood. I watch
a colony hurtle towards its promised demise.
front row seat on the nightmare express, I watch
the nearby sea hissing like a taunt. mothers’
wails hurricane unto scorched earth. I watch
severed lifespans trickle into empire’s mulch while
I tear dollars into shrapnel. in America, I watch
you with your gun, your hand on the trigger.
my beating heart, a flag at half-mast. watch
me do a bait and switch. half past noon. in a stranger’s
arms, I think of carnations. he asks me to watch.
says, imagine a seesaw with a heart on one end, a cluster bomb
on the other. says, name someone you can’t lose, now watch
me kill them on my lunch break, one happy meal at a time.
half past midnight. sleep comes. I am made to watch:
the boy with a cracked skull, all over again, his sister
with half an arm, you, with not even half a spine, watch
your sales tax wash off the coast of a mass grave. how many
missiles for your coffee, your quiet, your killer moves? watch
me as I am remade in the shape of a phantom pain
swollen, loud, invincible, impossible to ignore. watch
me turn on you like a coin. by which I mean, show me how you come
undone when the curtain starts burning, and there’s nothing left to watch.
Lara Atallah (Beirut, 1989) is a New York-based artist and writer. Her practice is informed by her interest in the political nature of landscape, and the power it holds to reshape our perception of borders. She holds a BFA in Graphic Design from the American University of Beirut (2011) and an MFA in Photography from Parsons The New School of Design (2014). She is a recipient of the Khaled Ead Samawi Scholarship. Her work has been exhibited in the United States and internationally.


