
- Prologue -
I fight off sleep at 3:30 in the morning,
Nineteen hours straight-counting.
The goal is 24-hour support.
No, really. Iโm fine. Iโm not tired.
Black swirling circles cloud my iris,
they swell into chronic nausea.
Really, Iโm not tired
of holding your hand at 3:30
of every morning after that.
At 7:30, my count is broken.
I check my phone. Unmoved,
You must have given up too.
The goal was 24-hour support:
We both failed.
-1-
Run, you say? I get up and run.
Just keep running, you say, donโt ask questions:
save your breath, you wink at me, for later.
I shake my head and rub holes into my eyes.
Fine, Iโll save it.
Iโd learned you donโt need breath
while holding hands.
You taught me that. You must have forgotten.
Hours fade in the dust of our sneakers.
You said, run.Iโm running:
The goal is 24-hour support.
At the final chime, I look around โ
only blinding fog and silence.
I canโt stop running:
Catch up or slow down.
I remember feeling my fingers break like twigs
inside your freezing palms,
and slip away. It was a while back.
I might have lost you.
Your flashlight blinks twice in the back of my head:
ยท ยท ยท โ โ โ ยท ยท ยทย ย ย ย ย ย ยท ยท ยท โ โ โ ยท ยท ยท
Thereโs a funeral across the street โ
thatโs what happens when you live near a church.
They carry a brightly polished casket inside.
The goal is 24-hour support.
Iโm not superstitious. The hearse is not a sign.
Iโve turned back before.
โ 2 โ
I forbid it.
There is no room for you right now;
I have it on good authority that both hell and hospitals are quite full.
Youโll have to stick around.
Yes, I know your heart races to the finish line
covered in laurels
but like a child
left home from his parentsโ trip,
they wonโt take you now โ
No sleep. No food. No sound.
You climb into the trunk of the car.
Thereโs no air in there either. Is that the point?
Listen to me. Listen to me.
Open your eyes.
Will I have to get into that trunk with you?
I never wanted to go that way.
I know you never asked me to.
But you know what? You did,
you did when you called me for help
silently, with a flashlight in the fog
and you held on tight because I told you to.
The car will stop eventually like all cars do,
and if I make it, youโll have to get out.
I canโt drag dead weight with broken arms.
โ 3 โ
Not a fan of your silences,
constant sullen surprises;
I refuse to adapt.
Iโm uncertain I have the right to be stubborn,
not this time, but dare I say
Iโm tired?
Maybe if I whisper it to myself really quietly
it doesnโt count โ
I refuse to be a traitor. I refuse to speak first.
Not a fan of your words either, of late.
Well, mostly today, but thereโs that other day too,
and the one before. Every day is an exception
I must accept.
Every day we take the long trip home.
I pack and carry increasingly worn-out suitcases;
we always come back.
But not quite the same, never quite the same,
returning from exile toward harsher punishment
I am running out of words, out of my mind.
And now between the two of us
remains one drying pen and not enough paper.
Maybe we wonโt need them.
Maybe thatโs not the worst ending.
Emma Moghabghab is a Composition and Rhetoric Instructor as well as the Coordinator of the Writing Center at the American University of Beirut, Lebanon. Her research focuses on interdisciplinary analyses of the visual arts and literature, the intersections between media and literary theory, mediation, and the networks of power in poststructuralist literature. Her academic work has appeared inย Studies in the Humanitiesย and her poetry is forthcoming inย Poetry Pacific.ย Her paintings have been exhibited at the UNESCO palace in Beirut.

